Monday, July 04, 2011

What could possibly be my last post

I really should be working on my last post about the DC news since it´s still not finished. But I received an e-mail form fellow blogger Terry Hooper, from ComicBitsOnline ( I hope you are checking out his excellent blog on a regular basis and have donated if possible ) that touches a subject I have mentioned on a few posts but never really explained at length.


If you wonder about the ominous title, no, I don´t plan to end my blog but given the topic of Today´s post somebody might end it for me. My, what a topic for the 4th of July. Oh, and before I forget : there might be SPOILERS for FEAR ITSELF in it. Just so you´re warned. But here´s Terry´s e - mail ( I hope he doesn´t mind ) :

Hi.

I was discussing with my brother this German thing in comics of making swastikas into crosses in squares. It basically makes kids ignorant of history but comics...!!

The current Marvel Fear Itself story has giant Nazi robots everywhere - so they'll be censored in German reprints ? Okay, but what about imported US copies - is the store owner breaking the law ? Surely thats a human rights issue - where is the EU human rights law ?

BUT what about films and TV ? Saving Private Ryan - Schindlers List - Swastikas all over the place - did someone doctor the film to make all those swastikas crosses in squares? I was wondering, if not for CBO, then if your blog could do an article explaining how this affects comics, etc.?



Hey, half my family are German and they suffered and I'm the biggest anti - Nazi you'll find : daubing swastikas on walls or putting them on flags or even wearing them as arm bands - YES ! Kick those bastards in jail BUT how can you teach kids that Nazism was evil if you can't depict their symbols - if there is a tv documentary about WW II do all the German scenes have crosses in squares or are they just not there?

Anyhow, it interests me as in one comic I have a character looking at a Nazi flag and saying its a symbol of evil...if I sell that comic to a German am I breaking the law because I am NOT going to put a cross in a square!

Oddly, I guess it would be like the Russians turning red stars into round red blobs in every comic set in Russia or involving the Russian military!

Okay, I´ll try to answer that as best as I can.

SEE NO EVIL, THINK NO EVIL

Yes, every giant Nazi robot in FEAR ITSELF, every Nazi flag in Captain America and every Nazi armband in HELLBOY is going to be censored in the German version. Speaking about HELLBOY, the series B.U.A.P. 1946 was announced by German publisher CrossCult as book 8 of the series, then skipped and finally published together with B.U.A.P. 1947 in GESCHICHTEN AUS DEM HELLBOY UNIVERSUM. Was it because of the cover ?


Original cover and the german version for the book.


No swastikas, altered or otherwise on this book.


According to § 86 Strafgesetzbuch the graphic depiction of swastikas or variations thereof are verboten. Now you could argue that the paragraph clearly says that one of the exceptions is a work of art, which comics clearly are. Well, not here in Germany and I guess it´s going to take a few decades till somebody here is willing to go to court on that point. In Germany comics don´t have that position.

Which is the reason that not only the swastikas were censored in all issues of Captain America and Wolverine but Danger Girls was put on the Index of youthendangering publications because of the hammer symbols. Another case where a swastika was censored was - funny enough - Blade of the Immortal.

WHEN IS A SUNWHEEL LIKE A SWASTIKA ?

I say funny, because as manga afficionados might know there are no swastikas in the original manga. What happens is that the main character of Blade of the Immortal, Manji, wears a big sun wheel on his back. Now the sun wheel was the blueprint for the swastika the Nazis use and in Japan it´s called " manji " which also is the main character´s name so it makes absolute sense.


The only problem is that mangas are read right to left instead of left to right like western comics. So some mangas are flipped horizontally to get the pictures in the right reading order - for western readers. This is not done on all mangas - one of my favorite mangas CASE CLOSED is printed in the original version - but in the case of Blade of the Immortal is was not a good idea.

Because if you flip the Japanese sun wheel you get the European swastika which then had to be censored.


And that even though in the original version there were no swastikas.

So yes, all swastikas in German comics - and the German versions of foreign comics - are going to be and have been censored. The whole thing is a really touchy subject and sometimes can be pretty absurd. Because people who don´t know anything about comics get to pass judgement about things they haven´t even read. I mean that´s the only reason that sounds sensible why someone would confiscate posters of Art Spiegelman´s MAUS and charge him with spreading Nazi - propaganda.


It really wouldn´t be funny if it wasn´t true.

WAS IT SOMETHING I SAID ?

Now there also are cases where the translation was altered. In the AVENGERS issue that tied into the EIGHT DAY STORYLINE the Juggernaut was kidnapped by other villains and the government liason person asked why they should help him to which Captain America replied : It´s only Poland, right ?

Now the comment refers to the fact that when Nazi Germany annexed Poland most countries didn´t think they would have to get involved. It´s only Poland. Well, in the end everybody suffered under World War II because they thought it didn´t concern them. So Captain America´s comment is not only totally in - character it also emphasizes that for him the war is very present. In the German translation the sentence was omitted although it´s one of the central scenes of the issue. According to the translator it was done because today´s young readers would be too stupid to understand the reference. Now that could be, keeping in mind the low opinion some German publishers have of their readers and the arbitrariness with which comics are translated here. But one still wonders if it had something to do with the fact that the comment kind of references Germany´s Nazi history.


So what about German store owners who sell US comics - or other foreign comics - with swastikas in them ? If you follow the letter of the law they also are breaking the law but normally that is kind of a grey area. Which means it´s okay IF they don´t stir up trouble or somebody wants to get on the news.

There have been several cases where the German Customs Authority has confiscated entire comic deliveries for German comic shops because of one comic that had swastikas. In the case of my former comic shop Comics Pur it happened twice which then led to it going out of business.

Which means if you sell a comic that has a swastika to a German that´s okay as long as he´s outside of Germany. The minute he goes into German territory or you send this comic into Germany because he lives there you come into conflict with the German law. So it´s just as well that there were no swastikas in THE BAT TRIUMPHANT or the other black Tower Comics you sent me.


But what about kids in school ? The depiction of swastikas in history books is allowed and they don´t censor them in documentaries or in movies. So while kids can´t see them in comics they can still see them in all those HITLER´S HELPERS documentaries that are aired on some channels the whole week.

The reason why swastikas are not censored in movies is officially because it would be too much work to alter every frame of a movie although there is also a lot of money involved so bribery certainly plays a big part. I mean, comics and video games have no big interest groups behind them and are easily targeted every time youth protection is the topic. So comics and video games have to censor swastikas. With movies there is a lot of money involved and there are some big multinational interest groups behind it so they don´t have to censor swastikas.

One of the difficult things to explain to foreign people is why movies in Germany that are labeled as ONLY FOR 18 YEARS OR OLDER still are not uncut. That´s because according to German law only because you are allowed to drive a car, drink beer and vote that still doesn´t mean you are a consent citizen and know what´s best for you. In every discussion in Germany I have participated in or that I followed about censorship sooner or later point is raised " There has to be someone who controls and decides what people are allowed to see or paint or write or create. "


And mostly they can´t even explain why. There has to be an institution that controls the information aside from what is regulated by the law that is above the law and is not composed of experts. In Germany there is the FSK for movies, the Freiwillige Selbst Kontrolle ( Voluntary Self Control ) which is in fact not free because if you want to get your movie into cinemas or DVD stores in Germany you need their approval.

Now I´m not saying there should be no rating system in Germany. A rating system makes no sense in comics but I can live with it in movies. But why does Germany need to have the worst rating system of them all ? In America - for example - there are ratings like NC 13 because of foul language, adult situations and nudity. In Germany it´s just NC 13 without giving any reasons why. Now how should a parent know if his child can see the movie or not ? They don´t know why the movie has gotten the rating.

Last year there was an iniciative by parent groups to put the reasons for the ratings on movies but the reaction of Germany´s minister of family Ursula von der Leyen was to make the rating labels bigger. Without putting the reason for the rating on the movie. That´s how democracy works in Germany.


What really p - words me off is that the FSK always says it has to censor movies to protect the youth. Okay, why does this apply to adults ? I don´t know. But maybe the FSK is just used to give statements without having to explain them. According to the FSK their ratings are not pedagogical recommendation, they are to ensure that the physical, psychological and spiritual wellbeing of children and youths of a certain age group is not impaired. That´s a really tall order for an institution where you don´t need to have any knowledge of movies, theology, biology, psychology or child education to be a member.

Fun fact : after World War II the FSK mainly censored or outlawed movies that offered criticism about Germany not being de - Nazified enough. Or mentioned Germany´s Nazi past in any way. But the FSK is also indirectly involved in cases where film distributors changed content through the dubbing. In Hitchcocks NOTORIOUS the Nazis became drug dealers and in CASABLANCA freedom fighter Victor Lazlo - who was on the run from Nazis - became a Norwegian nuclear physicist who was chased by Comissioner Laporte who was never shown on camera. Even in DIE HARD German audiences were not told that the terrorists were Germans.

According to the German constitution censorship doesn´t happen. Well, youth protection does even if they need censorship to implement it.

  • censorship does happen occasionally



  • " Nazis ? I don´t know what the f- word you´re talking about. "

    Now outside of comics and videogames the depiction of swastikas is also illegal which lead to a curious case where t - shirts that featured crossed out swastikas and featured anti Nazi paroles were judged as against German law . So on one side you can´t wear a t - shirt with anti Nazis paroles but you can still attend the annual demonstrations of the German Nazi party on Hitler´s birthday because the Bundesverfassungsgericht ( Germany´s highest court ) has failed twice so far to outlaw them.

    They didn´t have so much problems outlawing the communist party which may be because there are still politicians in Germany´s government that were in Nazi parties.

    So German law is kind of weird and doesn´t always make sense. I can understand that they don´t want to give Nazis a platform for their ideology but by just prohibiting their signs and trying to keep it under wraps you won´t solve the problem. Especially if you want to show how liberal you are by not outlawing Nazi parties.


    Was this variant cover of CAPTAIN AMERICA 6 done for the german market ?

    And I think the whole approach to censorship has something to do with their past. In Spain for instance the censorship during the second World War emanated from Franco who imposed his belief system on the people. So when his regime ended people celebrated that they were allowed to curse ( the first time the s - word was used on tv was a big deal ) and ever since the people of Spain fight against any form of censorship or incursion on their civil rights.

    Now I don´t want to say that all people in Germany were happy under the Nazi regime. But I don´t think the idea that somebody has to decide what is good for people was so foreign to them. In the German populace the thinking of people being divided into the " Obrigkeit " and the peasants who have to do as they are told is still widely spread. When you speak to people here they sometimes don´t even see it as giving up a part of their civil rights. The idea that juvenile delinquency is primary caused by comics, videogames and movies seems to be a functioning part of Germany´s media brainwashing.

    So I hope I could clear some things up and if you still have questions drop me a comment or go straight to the fsk homepage / english version

    I want to wish all my readers from America a happy 4th of July even though it will probably be over by the time I finish this post and you can read it.


    Since Today´s topic was censorship in Germany here´s German band DIE ÄRZTE with a song about censorship ( that´s really the title ).



    New to the blog ? Everything you need to know about TALES FROM THE KRYPTONIAN : top ten posts / more posts of interest


    Captain America says the guy´s an Avenger.....then the guy´s an Avenger. The end.

    Wednesday, June 29, 2011

    comic news avalanche - DC news

    Yes, I know, I shouldn´t start a new post while I´m still working on the last one but I just had to put the DC stuff into a seperate post or it would have become too long.


     EVERY COUNTRY NEEDS ONE BROKEN ARROW

    Before the relaunch the GREEN ARROW series is wrapping up and here are two interviews with writer James Patrick about the last Green Arrow story before T J Krul gives you the lowdown on the new Green Arrow and Captain Atom books. And as more news of DC´s new titles is known there is also some new art that was " leaked " on the internet like Francis Manapul´s first Flash art for the new series and Jim Lee´s full Justice League lineup although there is still the mystery of the 15th female member to be solved . I´m so hoping it´s Power Girl.


    For more creative questions and answers ( and some possible spoilers ) here are interviews with Fabian Nicieza on LEGION LOST , Dan Abnett and Andy Lanning on RESURRECTION MAN , Dan Didio and Keith Giffen on OMAC , Dan Didio on the end of Clark Kent and Lois Lane´s marriage , Ron Marz on VODOO , Peter Milligan on JUSTICE LEAGUE DARK and RED LANTERNS , Scott Snyder on the new BATMAN book , Tony Daniel on DETECTIVE COMIS and SAVAGE HAWKMAN , Judd Winick on the new CATWOMAN book and RED HOOD AND THE OUTLAWS , Scott Lobdell on SUPERBOY and TEEN TITANS , Joshua Fialkov on I VAMPIRE , Paul Cornell on STORMWATCH and Justin Gray and Jimmy Palmiotti on ALL STAR WESTERN .

    And since you´re probably tired of reading at this point here´s a video interview from CBR TV with Grant Morrison about the new ACTION COMICS book



    and one with James Robinson talking about Justice League, Alex Toth, the Shade ( the villain from Starman, not Shade the Changing Man ) and more.



    IT´S THE END OF THE DC UNIVERSE AND I FEEL FINE

    Now that there are more facts about it here are some articles on the DC relaunch with ( or by ) Justin Gray and Mike Costa , headwriters Jim Lee and Geoff Johns , Bob Harras and Eddie Berganza , Tom Bondurant from GRUMPY OLD FAN and from ROBOT 6 Tom Bondurant and Carla Hoffmann - part 1 and part 2 .


    Over at ComicGeek Speak they have three episodes with listener feedback to DC´s announcement , a discussion about DC´s announcement and the new books and they also take a look at the 52 new titles .

    For my german readers Marc - Oliver Frisch from comicgate takes a detailed look at the 52 titles in 1 / 2 / 3 / 4 parts and fellow blog COLLECTED EDITIONS has 3 arguments for and against the relaunch and tells us not to panic while also ranking the prospects of DC´s outgoing series to be collected as paperbacks . For more info CBR´s readers have ranked the new 52 titles and here´s the official solicitation . RANDOM HAPPENSTANCE also has some thoughts on the relaunch while MATCHING DRAGOONS has its own list of 52 new DC titles with such brilliant titles as CHALLENGERS OF THE STATUS QUO, LOIS LANE TOT REPORTER or JLA RUBBER. And I think everybody would buy GEORGE PEREZ DRAWS WHATEVER HE WANTS.


    BULLY COMICS also has a great list of 52 new DC titles and really, you just have to love such great titles like I SHALL CALL THIS ONE THE TIME THAT AQUAMAN SPOKE AS IF HE WERE BRIAN BLESSED AND GOT HIS OWN BOOK, ARRIBA BLUE BEETLE ( which preferably is written in spanish ) or JUSTICE LEAGUE BWA HA HA. Not to forget the book every DC fan has been waiting for GREEN ARROW AND BLACK CANARY BOINK.

    There are - of course - some negative reactions to DC´s plans as everybody already hates the new TEEN TITANS book and Jill Pantozzi at NEWSARAMA explains why Oracle is a stronger character than Batgirl will ever be .


    Spanish blogger Pedro Angosto from MAN OF BRONZE has the link to the first protesct march against DC , speculates on the new Franchise League of America and paints a resume about the old DC series . All in spanish of course, sorry.

    More DC stuff : the Detroit Free Press has an interview with Geoff Johns , England´s The List has an interview with Grant Morrison about his new book Supergods and why it´s stupid that every hero must have an origin story, Corinna Lawson from GEEKDAD has an open letter to DC comics concerning digital pricing that has some great ideas ( and is therefore probably going to be ingnored totally ) and Michael May on ROBOT 6 explains what makes Wonder Woman tick . And strangely enough his arguments are not too far from my own observations a few posts ago. To quote myself :

    Wonder Woman is one of the best known female comic characters and thanks to a tv show that was better than it got credit there are a lot of things people know about Wonder Woman. She comes from a secret island of amazons where men are forbidden to set foot and she´s a princess. She´s strong, she deflects bullets with her bracelets, she can talk with animals and she has a lasso of truth and an invisible jet.

    People know what her costume looks like and that she changes clothes by spinning around. Now, can anyone tell me why the people of DC think they can sell more Wonder Woman comics by changing all the things I mentioned above ? Because I can´t understand it.


    As someone who is always the last to know I only discovered that there was a tv pilot being made with Adrianna Palicki as Wonder Woman when it was canceled. Now the german press would have loved this ( I can just see the Palicki Palacki - die neue Wonder Woman headlines ) but as I understand it one of the reasons it didn´t gel with the test audience was that they changed her costume. Rest my case.


    Brian Cronin has a post about what is supposed to be the goofiest moments in DC´s HARDTRAVELLING HEROES but to tell you the truth, it only reminded me how awesome that book was and prompted me to re - read the run again. Maybe I´m biased on the matter since the books that are out now wish they had art as good as Neal Adams but the whole article seems a bit biased. Which may be because you really had to be reading comics at that time to really appreciate them for their breaking new ground in comics territory. Although I have to give him kudos for pointing out the Nixon cameo I missed entirely.

    In other DC related things you may have already heard via COMIC BITS ONLINE that DC canceled a muslim superhero and I absolutely have to link to HARK A VAGRANT´s hilarious Lois Lane - Reporter strip.


    As always, there´s a video at the end of the post and since I had a funny one in my last post here´s one I have been looking for a while now. I don´t know why but british tv seems to have the funniest stuff.



    New to the blog ? Everything you need to know about TALES FROM THE KRYPTONIAN : top ten posts / more posts of interest

    Tuesday, June 28, 2011

    Comic Legend Gene Colan passes away

    This is the part of the comic news I don´t like and the reason why I hate going on the internet after a long weekend. Because more often then not somebody you really liked and admired has died.


    Which was the case this Monday when I read that Gene Colan had died at the age of 84. I had followed the news about him tackling his health problems but I was still sad that he had finally succumbed to illness. One of the few things I took comfort in was that he had finally begun to get widespread recognition for his art and knew how loved he was by comicfans of all ages. He even got back to doing comic work for BART SIMPSON´S TREEHOUSE OF HORROR and CAPTAIN AMERICA 601, the last one even won Gene Colan the 2010 Eisner Award for best issue.

    I´m probably not the most qualified to write about Gene Colan since - like in the case of Jack Kirby - it took me quite a while to be able to appreciate his craftsmanship and artistical brilliance. Growing up reading the german comics of the Williams Verlag Gene Colan for me was this guy that appeared throughout various collections and who had a really strange style. He was in DOKTOR STRANGE DER MAGIER , which lasted 12 issues


    and also on DER DÄMON, how Daredevil was called here in Germany. Or at least that´s how he was called when Williams Verlag published the series as back ups in their DIE FANTASTISCHEN VIER books ( Fantastic Four ).

    Before that the Bildschriften Verlag published the series under the name of DEVIL - MAN but thankfully I missed that whole period because their production values wer not very good, the translations were horrific and the jumped ahead and backwards in the publishing schedule.


    CAPTAIN MARVEL was another series that was published as a back up in Germany, this time in the pages of DIE RUHMREICHEN RÄCHER , which had also been in the bulk of Marvel publications by Bildschriften Verlag.


    NAMOR DER SUBMARINER was also a back up feature, in DIE SPINNE 


    as was DER EISERNE whose own series sadly only lasted 12 issues and who then was relegated to the role of back up feature in issue 45 of DIE RUHMREICHEN RÄCHER where he replaced the Captain Marvel series.


    I especially remember reading the issues with Iron Man fighting the Mandarin and his armor was out of power and he was stuck in some kind of canyon or whatnot. What I can´t remember is him going up against Whiplash but during my research I came upon this cover so Gene Colan´s claims to have created that particular character may be more valid then Marvel is willing to confirm. I guess they owe him some residual money now that they have used Whiplash in the new IRON MAN II movie.


    Gene Colan also did some issues of DIE RUHMREICHEN RÄCHER 


    and of course DIE GRUFT VON GRAF DRACULA with CAMBER OF CHILLS as a back up then stories from MYSTIC, MYSTERY TALES, MARVEL TALES, JOURNEY INTO MYSTERY, JOURNEY INTO UNKNOWN WORLDS, WORLD OF FANTASY, CRYPT OF SHADOWS, ADVENTURES INTO TERROR, ADVENTURES IN WEIRD WORLDS, ASTONISHING, TALES TO ASTONISH, STRANGE TALES, UNCANNY TALES and TALES OF SUSPENSE. Boy, they really threw anything in there they could get their hands on. Now coming back to Gene Colan, when I first saw his artwork in the books I was reading I found it strange.

    Strange because it was so unlike most other artists. Man, at that time I didn´t like it but Today I would just love to re - read those comics again. Gene Colan also was on a lot of DC books edited by Ehapa I read later on, mostly his work on WONDER WOMAN or WUNDERGIRL how it was called,


    BATMAN


    or SUPERMAN where he did a story of which I only remember that some guy with a headband wore his costume while Superman wore a different garb. And it somehow involved the Phantom Zone and strange horned kryptonian animals which I mention in part 3 of my COVERSTORY series .


    I only began to appreciate Gene Colan through the internet where I found some of his comission work and for the first time saw his incredibly detailed pencils in a high resolution.

    I never knew that most inkers had problems bringing his work to the printed page adequately but I actively began to look for his work. The really weird thing was that at that time companies were reluctant to give Gene work and it was only through a friend who built a website for him that he could finacially support himself through comissions. Looking at his comissions you could see that he was still as good - or even better - as in his active days. And now that the technology was finally able to do it his penciled work was being brought to printed comics like in his participation in Michael Chabon´s THE ESCAPIST comics.

    As for me I began to collect his work and one of the highlights of his career is his TOMB OF DRACULA work where he co - created BLADE .


    Here in Germany it was recently reprinted in a color version that´s very expensive ( although you can find some issues pretty cheap on comic fairs and online since nobody has enough money to finish the collection ) and drowns the linework with too much color. So my tip is to get Marvel´s ESSENTIAL COLLECTION of the series which is not as expensive and you can really appreciate the great art by Gene Colan and Tom Palmer, one of the few inkers capable of adding some depth and mood to Gene´s pencils.

    And if you have the possibility get the spanish BIBLIOTEKA MARVEL version which is in a smalller format but is printed really well. Even Gene Colan himself was impressed by the quality of the spanish version.

    Last but not least I want to recommend a book by TwoMorrows Publishing before letting others chime in who knew the man much better than me. SECRETS IN THE SHADOWS : THE ART & LIFE OF GENE COLAN is a great book with tons of art by the master himself and interviews with about everyone he ever worked with.


    CBR´s George Khoury remembers Gene Colan , Greg Hatcher´s Gene Colan memorial references his Phantom Zone story with Steve Gerber, and The Comics Journal has an extensive feature on Gene Colan by Tom Field .  He is also mentioned in an episode of Comic Geek Speak .

    There are also articles on 999 , Actua BD , Comic Box , Comic is art , El Factor G , El lector impaciente , Es muy de comic , Lola Fett , The Dreamers , The Los Angeles Times , The New York Times , The Sun Star , Spiegel online , Sci Fi Forum , Williams Marvel Comic Archiv , Zona Negativa and Zoo le mag to name just a few.

    EL SHOW DE LOS HOMBRES LOBO has a nice collection of spanish links about Gene Colan for readers who are fluent in the spanish tongue.


    Oldies but goodies are Gene Colan´s interview on ComicGeek Speak and the book of the month : Essential Tomb of Dracula Volume 1 episode. Great episodes that you should listen to if you haven´t already done it.

    Before closing the post for Today I want to thank the guys from MARVEL - COMICS ONLINE for their invaluable information on the back up features in the William comics. They also have all the info for the Bildschriften Verlag and any other german comic companies that published Marvel.

    edit : Today I was going over the links because I was working on my new BEST OF THE BEST post that is going to be included in future posts. There were some I had to delete because they didn´t work anymore but I want to include a new one. CRIVENS ! COMICBOOKS, CARTOONS & CLASSIC COLLECTABLES ! is doing a series about the favorite comics of his youth and part 1 is about DAREDEVIL 53 . The post is not as long as most posts here but it does have some nice Gene Colan art in high resolution. And who knows, you might find some other stuff you want to check out.

      
    There are a few tribute videos on YouTube but instead of other people talking about him, here´s the master himself talking about his work on Daredevil from the Man Without Fear : Creating Daredevil documentary.



    New to the blog ? Everything you need to know about TALES FROM THE KRYPTONIAN : top ten posts / more posts of interest

    comic news avalanche - non DC comics

    I hoped to finally get to my first report on the GRATIS COMIC TAG books of 2011 so that I can start giving them away. But the comic news have been piling up since my last post so I have to work them off first.


    I know it has been almost two weeks since my last post but first doping out three posts in one week and then doing another one only four days later I was kind of burnt out and needed to reload my creative batteries. I know that doesn´t bode well for me ever improving my post - per - week quota but I´ve always gone for quality over quantity. And the heatwave we´re having these last few days in Germany doesn´t help either.

    As usual I´m first posting the links before doing my usual magic of embedding them all into my usual mixture of banter, comments and wittyness and splitting it up into two posts - one about DC and one about all the other stuff. Maybe I´ll even have to do a third one but we will cross that bridge when we come to it. But before we come to this post´s news I wanted to get the word out that I have already read the GRATIS COMIC TAG 2011 I have and although I have to wait AFTER I have written the reviews with actually giving them away you can already write me a line if you want to get a certain book. Man, I never would have believed that it´s so difficult to give away free comics. Now let´s jump right into it.

    SAME AS IT NEVER WAS

    Fantagraphics Gary Groth gives an interesting interview about the state of the industry , what´s happening at Fantagraphics right now and what may be the future of printed comics. What I found a bit strange is that on one side Gary Groth is such a big supporter of creators rights on the other side Fantagraphics themselves violate contract rights when it comes to second or third editions or foreign editions of the comics published under their Eros imprint .


    Speaking about the state of the industry John Mayo reports the sales numbers for May 2011 and there seems to be hope that readers really stop buying the big events and as a consequence there may be an end to the big, annual crossover events. Me personally I´m skipping FEAR ITSELF and FLASHPOINT. If it´s important it will come out as a trade and I will get it later like SECRET INVASION.

    Now some people may not see this as big news but it´s Robocop vs Terminator - round 2 thanks to Dynamite´s new series TERMINATOR / ROBOCOP - KILL HUMAN. I am a big fan of the first miniseries and although Frank Miller is not writing this one and Walter Simonson is only providing covers any match between those two is bound to be interesting. I´ll definitely will check out these issues.


    And last but not least image comics announces a new rating system on their books. Now in my opinion this makes no sense unless you want to make it easier for certain people to get on the news by taking action against certain publications. And I know the old argument, that there is a rating system for films and that´s not a bad thing. Okay, following that line of argumentation it doesn´t work so well with movies as there often are movies that SHOULD be for 18 years and up. But because the movie company thinks it would be more profitable as a movie for 16 year olds it gets cut, it turns into a big mess and in the end it doesn´t earn them as much money as they expected.

    Because instead of being a good movie for it´s intended audience - people who are 18 or older - it´s a bad movie for everybody beyond the age of 16. In the end the movie company thinks they saved the movie because if they hadn´t improved it it would have made even less money.

    Another aspect with the whole " there is a rating system for movies " argument is that comics are not like movies. The biggest problems comics have is when they try to behave like movies or people who come from the movie world think it´s easier to write comics. Comics are more like books and you don´t see any rating system on books. Still they somehow manage to sell the right books to the appropriate age groups. And you can´t tell me that the average book seller is so much more intelligent than the avarage comic seller.

    Comics are more like art and there is no rating system with art.


    It´s true that there have been a plethora of legal battles about what is art and what is pornography ( I think Woody Allen said it best when he said : if it´s done right it´s pornography. ) but I have never seen a seperate part in a museum that is adults only. So you may be in favor of a rating system or against it but just saying that it must be so because movies have a rating system - that´s too easy in my opinion.

    THE MORE THINGS CHANGE

    Since my last post was about Marvel Point One line and not much else there are still a lot of news left dealing with Marvel. First up is Carla Hoffmann who takes a look at what Marvel is doing in September although I have to say that there´s not much on the list that interests me personally. Like I said, I´m passing up on the whole FEAR ITSELF thing and even if I applaud them for bringing new characters like Monkey King into the fold or taking a new chance on Shang Chi I have to say it´s strange that they appear in books like Iron Man or the Spider Island tie - ins. It would have made much more sense to feature them in Iron Fist.

    To tell the truth, to me Spider Island sounds like a non - event because, really, who cares what would happen if everybody in New York had spiderpowers ? And what´s up with Peter Parker using his spiderpowers openly ? Yes, everybody has spiderpowers now but not everybody has webshooters have they ? I guess that would be a bit difficult to explain.

    They also don´t eem to have much faith in Alpha Flight since the new series with art by Dale Eaglesham is another limited series and X - MEN SCHISM seems like another non - event. I´m getting the books but mainly because of the art by Carlos Pacheco, Frank Cho or Alan Davis. The story is rather meh, or at least it sounds that way. Cyclops and Wolverine fighting ?


    What a new concept that hasn´t been done to death before - like in the pages of Joss Whedon´s ASTONISHING X - MEN where at least it was treated in a humorous way. The whole idea of Cyclops and Wolverine having a conflict and the X - Men splitting in two teams - one led by Cyclops and one lead by Wolverine - sounds more like WEDNESDAY AT X - MANSION and not like something that will change the status quo of Marvel´s merriest band of mutant misfits in the longterm. And it´s not like there haven´t been two ( or more ) X - teams at the same time before.

    In the ultimate corner it seems like Jeph Loeb and Arthur Adams ultimazation of the X - MEN has come to an end because Carla speaks about it in the past tense but I have to say I liked it. The standalone character of the individual stories really appealed to me and especially issue 2 is one I have read a dozen times and I even had to buy a second copy because it started to show signs of tear and wear. I have to admit I always have the reading copy with me when I´m traveling.

    So far all other ultimate titles seem uninteresting even Ultimate Spider - Man with the death or return of Spider - Man. I have to say Marvel really fumbled the ball on this one as there have been several friends who knew that Spider - Man was goping to die but not that it was only the ultimate version. Oh, and one final thing I wanted to mention is that the link at the end is not for the Marvel solicitations for September 2011 but for the Marvel solicitations of March 2010. So does that qualify me for a no - prize ?


    But it´s not like there is nothing interesting happening at Marvel. And with " interesting " I don´t mean necessary good things as an old chinese curse says " May you live in interesting times. "

    DC doesn´t have the exclusive on number 1s and Captain America is restarting with a new number 1 and Steve McNiven on art. I´d rather stay on the title I´m currently reading but that seems to be transformed into CAPTAIN AMERICA AND BUCKY which continues the numbering of the current CAPTAIN AMERICA book. The new series is going to be penned by Ed Brubaker and Marc Andreyko. In this interview Mr. Andreyko reexamines Captain America and Bucky´s past but there may be some spoilers if you haven´t kept up with FEAR ITSELF. I haven´t seen much of Chris Samnee´s art so far ( who´s going to provide the art for CAPTAIN AMERICA AND BUCKY ) but Ed Brubaker has a lot of leeway in my book at the moment. I´m just not sure if my comicshop is going to automatically put it on my pull list or I will have to order the book again.


    On a similar note Colin Smith talks about comic fans and dead superheroes where he also mentions Bucky ( who was resurrected by Ed Brubaker ) and like the link above it might include some spoilers from FEAR ITSELF. And I have to correct him because Peter David DID bring Uncle Ben back to life in one story. Oh, and " wibbly-wobbly timey-wimey " seems to be the new " it - word " thanks to Dr. Who´s brilliant BLINK episode.

    Another book I´m still reading is DAREDEVIL and even if I I´m reading it in the trade format and still haven´t read the last one ( I´m not sure if it can be read without the Lady Bullseye story and the german version of that is currently out of print ) I thought it was one of Marvel´s steady books. On the other side I don´t know how much they have f - worded the series up with the whole SHADOWLAND thing. So maybe they kind of ruined it which would explain their announcement that Marvels next big thing is Daredevil . In the article Gene Colan´s passing is mentioned ( I´ll come to that topic a few paragraphs down the line ) as well as the big influence he had on Daredevil and it´s a nice touch that they can include some tribute material in the first issue.

    I´m not sure about the whole approach of getting Daredevil out of Hell´s Kitchen and into the world is such a great idea but with somebody like Marcos Martin on the art it will at least be visually interesting. As for Paolo Rivera, I can´t say much about him but the art I have seen so far looks solid. And with people like Neal Adams, Brian Hitch and John Romia Sr providing covers for issue 1 a lot of people might try it.


    In any way I will probably have to wait till it comes out here to find out if it´s any good. There was a short moment when I thought about going back to the floppies but so far the title just reads better in the trade format.

    Now I already mentioned that Zeb Wells and Joe Madureiras are working on a new Spider - Man book which is going to be called AVENGING SPIDER - MAN. I really don´t want to be cynical but that is going to be in the " I´ll believe it when I´m seeing it " departement. I can still remember Marvel´s big announcement that J. Scott Campbell was going to draw a new Spider - Man title with a dozen sketches to accompany the news. Which ultimately turned into J. Scott Campbell doing covers for spider - Man now and then.

    There also was a big announcement that Ed McGuiness would do an Ultimates storyarc and when I remember correctly they said that he would start at the same time as Joe Madureiras with his run and who ever finishes first would be published first. Well, Joe Madureiras didn´t finish first because his run wasn´t complete when they started printing it. And I don´t know if Ed McGuiness ever started with his work on an Ultimates run because soon after he started on the new HULK series and his story for Ultimates hasn´t been mentioned since. So I´m not sure if Marvel pulled a fast one on it´s readers but otherwise there would be unpublished art by Ed McGuiness lying around at the Marvel offices. Now I don´t know if that´s the case but I don´t think Marvel would be stupid enough to waste Ed on something like covers - nice as they may be - when there´s an unfinished Ultimates book lying around.

    So I´m curious about the new Spidey title - I would even buy the american issues - but I´m not holding my breath.


    Where Joe Madureiras is concerned he still has a lot to make to the readers for ruining the BATTLE CHASERS franchise as bad as he did and I just hope this time his art is not as confusing as on his Ultimates run where you couldn´t grasp what the f - word was going on on the page.

    What I really can get behind is the new Wolverine project by Christos Gage and Neal Adams . Neal will be providing art on NEW AVENGERS 16.1 ( gee, aren´t you glad we talked about Marvels Point One iniciative in the last post ) and it appears that he is already working on a new five part Wolverine mini.


    As somebody who still likes his art I seem to be in the minority but this could help me bridge the gap till his next issues of BATMAN ODYSSEY come out.

    With the whole attention to DC´s 52 new titles here are the readers picks for Marvel 52 number 1s and The line is Drawn´s new installment is all about Marvel´s new number 1s of which my favorite one has to be Spider - Man’ s Wife, Mary Jane #1, with guest Doctor Strange channeling their love to DESTROY MEPHISTO.


    As for Marvel related news the best headline of the month award goes to HUMAN TORCH KILLER STOPS IN NORFOLK by HamptonRoads.Com´s Will Harris while the award of strange tale of the month goes to a chinese worker who went to his office dressed up as Iron Man .


    Since we spoke about creator rights earlier Neil Kirby wrote a Father´s Day tribute to his father Jack " King " Kirby called Happy Father’s Day; Glad You’re Not Here about the fact that Jack Kirby´s name gets buried somewhere in the credits in small print while some other movie guy plasters his own name in big bold letters all over the screen. It´s really sad but nothing new regarding how Hollywood or better the movie industry treats creative people. When DAS WUNDER VON BERN had such a big success in Germany they interviewed everybody, his neighbour and his dog except Rochus Hahn a.k.a. Robi - who wrote the original script. I would have loved to hear his thoughts about this instead there was an endless parade of interviews by people who were only tangentially involved.

    Graphic NYC has a great interview with Chris Claremont in two parts, part 1 focusing on his beginnings in comics and his work on X - Men with John Byrne while part 2 is about anything that came after. A good read that brings many insigths into his career. I have to say i´m about two minds on Chris Claremont having grown up reading comics when he was in his prime. His UNCANNY X - MEN stories and his tenure on NEW MUTANTS will always be some of my favorite comic works of all time while some of his other work didn´t excite me that much.

    What is strange is that he did return to the X - Men titles somewhere between 375 and 385 and the issues were unreadable much like his work on Fantastic Four. I later bought some of his UNCANNY X - MEN issues with John Romita Jr ( the list of artists he´s worked with is like a Who´s Who of comic artists ) in the BIBLIOTEKA MARVEL format and those issues read almost as good as when they first came out. And I should know because that was when I started reading american comics.

    Now you could argue that he has lost his touch but I have been following his X - MEN FOREVER series since the first issue and I was highly enjoying that.


    Apart from Joss Whedon´s ASTONISHING X - MEN this was the only time I felt the urge to go out of my way and get the american issues again instead of waiting for the german translations. I have been following it in the trade format since that way it´s easier to cope with the fact that Tom Grummett is not drawing every issue ( and on the ones he draws he sometimes has really hasty inkers ). The latest issues have gone into weird territory but I have to say, the moment I read the first issue it felt like I was never gone from the title.

    I read the issue and the characters were very much like I remembered them. Too bad I had to find out by this interview that the title has been cancelled. After they managed to have Mike Grell on the annual it would have rocked to have other veterans like Neal Adams, Kerry Gamill or Bob McLeod on some issues. I think they DID manage to get Ron Lim to do some issues. One of these days I really have to get around and do a post on this book.

    After so much to read here´s a video interview by CBR with Marvel´s Editor in Chief Alex Alonzo about event comics and comics in digital media :



    Since we´re on the subject of digital media Comic Alliance´s Chris sims has a great article about why DC and Marvel should do webcomics although I hate to say they probably would never do it because the idea of giving something away for free - even if it helps them sell more comics in the end - is so frightening for them. It´s a wonder they participate in FREE COMIC BOOK DAY at all.

    The next news is really sad because comic legend Gene Colan passed away at the age of 84. There was a long part about my appreciation for this great artist but I have decided to honor Gene Colan in a post of his own .

    Tempus Fugit. 

    Since the end of this post is rather depressing I want to finish with this commercial, one of the funniest I´ve seen in a long time. Sadly the headline by YouTube gives away a lot.



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